Monday, December 5, 2011
A funeral in the village.
Even after almost three years in country, I am still gratified and amazed at how many opportunities there are in daily life for remembering that here in Senegal, you are always a part of a community; that the people around you are connected to you; that no one here could live in isolation.
For example, the greeting ritual in every language in Senegal is a long and complicated series of questions and answers about personal health, family, and work. It's an opportunity to ask after certain people by name, which is a way of affirming your knowledge of them and your connection to them. The answers aren't important. In fact, they're just as formulaic as the questions: How are the family? They are in peace, thank God. And the whole ritual almost always starts with the repetition of the last name of whomever you're speaking to: an affirmation of their place in their family and community.
Everywhere in Senegal, there's closeness and conversation. Public transportation. Vegetable markets. Hospital waiting rooms, as I wrote about a long time ago. Curiosity, questions, answers, togetherness, a delight in even the smallest shared bit of personal history. Time and time again, my Wolof -- which is quickly identifiable as having been learned in a particular part of the country -- has won for a me a cheaper price, a friendly exchange; even a grin from a taxi driver, for example, who was maybe more interested in swindling me before I opened my mouth and started speaking in the accent of the people of his village.
Family events are another beautiful affirmation of the way an individual supports and is supported by community here. Weddings and baptisms are universally attended, not only by close family and friends, but by everyone within walking distance. Everyone brings a small amount of money or a gift. The married women come early to help prepare the massive amounts of food needed at even a small celebration, and the unmarried girls stay late to help take care of children and be sure that the compound is kept clean.
Funerals, too.
Preparations for the day of my Senegalese host father's funeral began long before daybreak. The compound had been full of family and friends for the last two days, ever since his death, and many of us were sleeping in the sand or on concrete "beds" outside. From where I lay on my back in a thatched outdoor sleeping area, shivering in the pre-dawn cold and watching the stars disappear, I could hear the women begin to pull water for the daily chores. Babies began to stir and cry. Young girls with brooms began sweeping the sand of the compound, clearing it of leaves and small pieces of trash. Another day. On any other day, I would have registered all this and drifted back to sleep, preferring to wait until the sun came up before I rose. Not today.
I rose slowly, my back stiff and sore from the two previous nights passed on cement, thinking of how I had gotten here. The phone call had come from Ndiago two mornings ago, as I was getting ready to head to work. He had been sick for a long time. With the help of my boss here at Peace Corps, I was able to leave Dakar immediately. Driving in to Ndiago that afternoon, the village seemed deserted. I saw no children playing in the dirt paths between family compounds, no women in the lanes sorting the peanut crop and gossiping, no men sitting beneath trees and drinking tea. They had all gone to my family's compound.
As I walked in, I was amazed. There were hundreds of people in an outdoor space meant for perhaps two dozen. I greeted the men and women I walked by, received their condolences and gave my own, and was led to the room where my father's two wives sat. They were on the floor in the back corner of the hut, surrounded by their sisters and their husband's sisters, by their daughters and aunts and nieces. Their heads were covered and their eyes cast down, and as I approached them through a haze of soft sad words in Wolof, I hardly recognized them. More greetings, prayers, words for the dead. Their eyes on my face did not seem alert enough to recognize me.
Later in the day, the crowd in the compound receded. They left gifts of food and money. Neighbors sent bowls of their own dinner to the two widows, which were appreciated but returned untouched. Even as night fell, the compound was still more crowded than usual, since many of the extended family members from out of the village were staying with us. The women took over the chores, making sure that everyone was properly fed, bathing the children, finding places for us all to sleep. The men sat with the sons of the family, caught in low earnest conversations. A cold night was followed by a cold dawn; and when I awoke the next day I watched as the compound filled up again.
On this second day, mourners began to arrive from further away. Horse carts filled with people came from villages I had never heard of. They came to greet and give condolences, to drop what money they could spare on a piece of fabric laid out at the feet of the widows, or on another laid out by my aunt, my father's sister. There were even some who came from towns and cities in cars, like the marabout from a few villages away. Many were mourning the death of Osseynou Gningue, and none of them would be doing it alone.
And then finally, the day of the funeral. The mourners who had left the compound the night before came back, and their numbers somehow swelled to over 700. Seven hundred men and women in the compound, seated on plastic mats and chairs provided by the village, praying or sitting silently. Here and there a woman would begin to wail and moan softly, concealing her grief beneath her head wrap. Everywhere, heavy eyes and stillness. The imam prayed and spoke of Osseynou, followed by all of the important men of the community: they praised his devotion to his family and his work, and spoke of the struggles his illness had brought him in its final stage. It was better now for him, they said. He could rest.
I moved around during the funeral, uncomfortable, listening sometimes to the men eulogize Osseynou, passing sometimes to my host mother's room to sit with her, and settling sometimes with the elderly women, who could not help prepare the funeral lunch and therefore were in charge of the children. I felt grief, yes. But it wasn't a daughter's grief. I respected Osseynou for the way he took care of his family, and I was terrified of what would happen to them now that he was gone. But I wasn't sure there was a place for that at this event.
Later in the day, my oldest host sister Tenning passed by with a bin of water on her head, on her way to the temporary outdoor cooking area where the women were preparing the meal. She had her role, just like everyone else, in spite of and because of her grief. But as she walked by me, she began to stumble and cough and cry again. Another woman and I eased the heavy basin from her head and took it over to the huge pots full of donated rice, meat, and vegetables.
I made my way with Tenning, who was still sobbing, back to our mother's room. Tenning went to her mother and curled up against her, picking up her youngest child and cradling him in her arms. As I turned to leave, feeling not for the first time out of place in this room, this family, this village, and this country, my host mother Aissatou called out to me. "Come sit with me, Aissa. Stay and talk."
It was a village commonplace, that phrase. Come sit with us, stay with us, talk. I hear it every day, even in Dakar. But today it meant that I was to take a place with Aissatou and Tenning and the other women. We might not talk much, and I might not feel what they felt or say the right things, but that's where I belonged then. As even more mourners came in, they would come to greet me too. They would say the words affirming my place in this family and my loss, and I would say the words of gratitude and peace in response.
And this is what Senegal has done to me so many times over the past three years.
Holding back tears and covering my head with a borrowed shawl, I moved into the room again.
Tuesday, November 15, 2011
Occupy Senegal.
Sunday, October 30, 2011
Bean sandwiches and mosquito nets.
| Seriously the best thing ever. SERIOUSLY. |
Several weeks ago, I posted something extremely brief about how excited I was for the upcoming month and promised a full report on it when I came back from the travel. That post was never written, and probably never will be. At least not in the way I had intended to write it. I'm afraid to say too much about it, because that month produced the type of happiness you suspect could be easily crushed by too many words and too much reflection. Good thing I took some pictures to share.
It ended up being an intense month. I started out in Thies, where Peace Corps/Senegal has our training center, for the Stomping Out Malaria Initiative's second boot camp. Staff members and volunteers from across Africa came together to learn more about what we can all be doing to eliminate malaria in our communities. Putting together this training was a little exhausting, but it was worth it to meet the incredible people who attended. I feel privileged to be working side by side with men and women from so many countries, who all believe so firmly in our goal.
I had to leave boot camp a few days early, though, to help supervise a big mosquito net distribution in the southeast corner of Senegal. Peace Corps volunteers and some of our national and international partners were headed to the community of Saraya, outside of Kedougou, bringing a few thousand nets with us.
These distributions are insanely complicated. They begin with a community census, when trained community health workers go from house to house, hut to hut, and count the number of beds and other sleeping spaces (mats rolled out on the floor, stuff like that) that don't have nets.
| Health workers enter every hut to get an accurate count of the number of sleeping spaces. |
After all this data is validated by a committee of village dignitaries and health workers, the nets are all counted out and divided up. Each one is opened and the name of the new owner and the date and location of the distribution are written on them. When the big day dawns, people are already lined up at their distribution points to collect their nets.
| Community health workers in Saraya getting the nets ready for distribution day. |
| Waiting for new mosquito nets in Saraya. |
Every distribution is accompanied by a talk about how to properly use and maintain these mosquito nets. The community health workers will follow up in the weeks ahead by going from compound to compound again, making sure that people have hung their nets correctly and teaching them about the symptoms of malaria. Finally, after some internal evaluation, the distribution effort is done. Using this method, Senegal will have covered 10 of its 14 regions by the end of this year. And that, my friends, is what universal coverage of mosquito nets and malaria education looks like.
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| A family sitting beneath their new mosquito net. |
If nets are being widely used in a village, it benefits every individual within the community: mosquitos have less of a chance to pick up the parasite that causes malaria and pass it to another human host. So if you have about 80% of a community sleeping under their mosquito nets, you'll cut the incidence of malaria roughly in half, and mortality will is reduced by about 17%. Not a bad deal, since a distribution costs about $.50 per net after the cost of the nets themselves. Yep. Fifty cents. And those nets aren't exactly costly either.
It wouldn't be business as usual in Senegal if the car bringing us in to Kedougou hadn't broken down one late afternoon, after the whole distribution was finished and I was getting ready to come back to Dakar.
| The guy in the hat and sunglasses said I wasn't allowed to help push-start the car, so I stayed inside and took pictures. |
| Yummy. |
I think a lot these days about how a few small things in my life could have been just different enough to have kept me from ever joining the Peace Corps. It would have been so easy to stay, to take a teaching job, to keep going in that old direction. There wasn't anything in my life to make me particularly unhappy. Nothing was missing. Things were good. Joining the Peace Corps and coming to Senegal was maybe kind of an act of madness.
But now I have this whole other element in my life, like a color I had never been able to see before I came to Senegal, or like an entirely new way of putting the same old words and thoughts together, an entirely new way of living. This color, this feeling is with me all day, as I do my office work, as I shop for vegetables in the market, as I live this life. And it's with me every night, loud and clear as the call to prayer.
The work in Saraya was some of the finest work we can do, and it brought me some of my happiest days and nights in country. The best days are the days that are full. The best nights are the nights when I go to bed sunburned and sore, with a light heart, a full stomach, and the knowledge that I have done a good thing well. This is all I want. Let me not live a day past my ability to feel this way. Not an hour.
Love and guts,
Jessie
Tuesday, October 11, 2011
Not a real post.
I haven't been tending this blog in the way I like for a couple of months. That will change soon, for sure. And for now, how about a version of the essay I'm submitting with my grad school applications? I promise it's more like a blog entry than an app essay is. Oh academia, I want to come back to you. Kinda-sorta-sometimes. Anyway, I'm not sure that this is less interesting to you than what I usually post. So here it goes.
Monday, August 29, 2011
Stomping Out Malaria in Africa! A Peace Corps Initiative!
Wednesday, August 10, 2011
Dakar.
No one farms here in Dakar, and there's not much animal herding either. Even newer neighborhoods like mine, where there are still many empty plots and unfinished buildings, there's not much open space here. My neighborhood does have a small herd of cattle floating around, but that's about it. I always hated the cows out in the bush; whenever I walked to my site mate's village just a few kilometers away from mine, I would be a little nervous about surprising some one-ton cud muncher into forking me with those insane curved horns they all have. So it's strange to run across them here, too, where they occasionally pass by me peaceably as I walk to work.
But no farming, none at all. So I guess I have no right to be upset that there's not much of a rainy season up here. Dakar has its own microclimate, so we get a lot of humid days when we can see clouds on the horizon in every direction and unrelentingly uncomfortable nights when everyone stumbles into the office the next mornings looking like they've spent the last eight hours stewing in a puddle of their own sweat instead of sleeping. Here, I miss out on the pleasure of feeling the cold wind blow a storm right up to my doorstep, the satisfaction of watching the rain fall on my host family's fields of millet and peanuts, the adrenaline and fear and reckless joy of riding out a violent storm in a hut I knew was made mostly of mud and sticks.
There are other things that come with the rain here. Our apartment floods a little bit. I don't mind mopping the floor for half an hour after each sparse rain, especially because there aren't going to be many of them. But it does feel like a petty move on the weather’s part. Really, storm clouds? My hut made it through all those rainy seasons without collapsing, but these bullshit raindrops are going to form a stinking greasy puddle around my trash bag?
Overall, though, this is good. I like our neighborhood. It’s a three-minute walk from the Peace Corps office, which is handy. There’s a vegetable market right outside our doorstep, where Senegalese women sell carrots, onions, sweet potatoes, cabbage, grains, bissap flowers and even meat. For our higher-maintenance moods, there’s a well-stocked grocery just behind the office, and a variety of restaurants within walking distance too. There are even a couple reasonably seedy, non-touristy bars.
As I sat with a friend on the front patio of one of these bars, sweating out the final hour of the late afternoon and wishing desperately that the miserable portion of the Atlantic ocean we were staring at would offer up a breeze to lift away the blanket of humidity, a skinny, sad-looking Senegalese man walked up to the bar with a cage full of birds. Tiny birds, making lots of screechy panic noises, apparently for sale. A Senegalese man at the table next to us, who had been nursing the same beer and talking quietly with his friends for as long as we had been in the bar, stood and demanded how much money they cost.
The skinny man with the cage looked three parts dead. I didn’t think he had it in him to rise above his exhaustion and answer, but they negotiated and exchanged money, and then the skinny man handed over the cage to the bar patron. Without hesitation or a single glance at any of the rest of us, this man stood up, opened the tiny door to the cage, and started shaking it up and down, side to side. Birds spilled everywhere, shooting off into the sun. I stared and stared. Everyone in the bar must have been staring. When only a few birds remained, too shocked to find the way out of their bouncing, shaking cage, the man stuck his hand in to flush them out.
“Leave them, don’t shake the cage, and they’ll fly out on their own,” I shouted in Wolof. As if I had all the experience in the world with this type of thing. Jesus.
“No, it’s fine,” the man replied, not even glancing my way. The last bird flew away, and the man handed the cage back to the bird seller, who didn’t even seem to have noticed what had happened.
I was still gaping at the man openly. I wanted him to make eye contact so I could ask him why he had done what he had done. I wanted to know what the birds were to him, what raw, jangling nerve their captivity had touched in him. His action must have meant something, but I never found out what. He went back to his table of friends and his beer. From as much as I could hear of their conversation, they never brought up the subject of the birds. I didn’t understand at all. This is our local bar.
The electricity at our apartment is mostly on, the water mostly comes out of the taps when you want it to. The roof doesn’t leak, but then, we’re on the second floor. One neighbor on the fourth floor is a fellow American, and next to him lives a Senegalese family. Below them, there’s a family from Cote d’Ivoire. And then there’s us, and then the guard below us. There’s a sort of inverse balcony that cuts through the building, a big open space that allows the sound to travel freely from apartment to apartment. I hear the guard waking up before dawn prayers to take his first meal of the day, which is his last for 14 hours, this being Ramadan. I hear a girl or young woman on the floor above me singing during weekend afternoons. She sings like she’s alone in her apartment, her large family all gone for a few hours while she has stayed behind, perhaps to sweep and clean, perhaps to sing.
The work is good, too. I’m proud of what I’m a part of. It is refreshing to be able to embrace a task without cynicism, with hope and passion, with comrades. I come home exhausted and emptied out every early evening, and it feels honest.
Even just that three-minute walk home is something satisfying. Even as a white girl, my relationship with my neighborhood is different because I speak Wolof. The construction workers and guards around here know my name and greet me as I pass, as does the elderly lady who presides over a small boutique. She is losing her eyesight, but she writes down every purchase and sale she makes and she knows where all her grandchildren and relations are at every second. Her name is painted above the boutique counter in big, bold print. She has a domain, and passing by her in it makes me feel a little like I do, too.
This is not the village; it is not home. But the village was not always home, either, and I had a few miserable days in the beginning when I didn’t understand that fact. I remember with perfect clarity the day early on in my service when I realized that it was a place I would come to love, full of people I would come to love. I’m not saying that’s going to happen here. But I like knowing that it might. And until I have that feeling again, either here or somewhere else, I can live here, and greet the people I know in the street and be a part of this world and feel like I understand it and fit in it and belong to it. If I ever get too comfortable, I can go back to that bar where I saw the man let one hundred tiny birds go free, and remember that there are also always mysteries and experiences left in the world, and that there’s always something to do and somewhere to go tomorrow.
Love and guts,
Jessie
Friday, July 1, 2011
Mass protests and beautiful music.
Although I didn't stroll through the epicenter of the protests, there were plenty of signs downtown that something had happened. Broken windows and signs were everywhere, as were swept-up piles of glass shards. Not every business seemed to be open, even though it was only the early evening. I couldn't be sure it wasn't my imagination, but it seemed like there were fewer people out on the streets. No white tourists, anyway.
Something's happening in Senegal. There's a presidential election coming up in February of 2012, and the current President, Abdoulaye Wade, has lost the esteem of the voters. He knows it, or at least someone close to him does: he's 85, and the term of office here is seven years. Rumors of senility and weakness are already circling. In advance of the election, Wade has introduced several new laws designed to keep him in office for the beginning of another term for at least a little while. His true objective, people say, is to step down and boost his deeply unpopular son Karim into office. The bill that was up in the Senegalese legislature on Thursday the 23rd would have virtually guaranteed his ability to do this.
The 23rd will be remembered here in Senegal for a long time, I suspect. Thousands of young Senegalese, pushed over the brink by their disappointment and anger, took to the streets outside of the legislature and presidential palace. Soon, people started calling it a riot. The demonstrations spread throughout the city and even, after a couple of days, into the suburbs of Dakar and to other large cities in the country. Protesters burned cars and tires and sacked and burned government buildings. The demonstrations turned violent when the national security forces attempted to disperse the crowd with tear gas, water cannons and rubber bullets. No one needs this story finished for them: these days, we all know what police brutality in struggling countries looks like. One Senegalese man, attempting to describe his despair to me, held out his hands in front of his chest and slowly drew them inward, clenching them into fists. "This is our country, and it is being held hostage."
If this is an awakening, it is a welcome one. Often I have sat in an overcrowded truck or car lurching slowly down a pot-holed road (though its hardly fair to describe these "roads" like that: they're more pot-hole than flat surface), inching forward, taking hours to travel just some twenty-odd miles. Often I have looked around at the faces of the Senegalese men and women traveling with me, glazed over with indifference, scarves and wraps held to their noses and mouths to filter some of the choking dust out of the air, babies and small children draped over their laps or across their backs. Often I have wondered where their breaking point could be found: when is a road so pot-holed that it is no longer a road? When is a government so corrupt that it is no longer a government? When will these people rise against their corrupt leaders and their poverty?
Wade backed down, and the demonstrations are over for now. We're expecting more trouble in the months to come, however, if Wade does not surrender this country to its people.
Peace having been restored to the city of Dakar, our security guy gave us his blessing to attend this concert. I was excited. Daara J Family has some beautiful songs (seriously, check out that link up at the top), and they're also a very political group.
The show was amazing. We were seated in the highest of the semi-circular rows. In front of us stretched a view of Senegalese families and white couples. Behind us was a standing, swaying crowd of young Senegalese people, who knew every word to every song and who danced in ecstasy for the entire two hours, screaming out requests and cheering as loud as they could. The men sang about putting aside sadness and despair, about being proud of Senegalese and African heritage, of being responsible for their lives and futures. In a city no longer in thrall to violence, one hundred of us were transported by the music of hope andjoy.
Being at the show, getting caught up in the music, listening to the lyrics in Wolof (and some French) and watching the crowd respond made me feel so much a part of Senegal. I know it's an illusion, I know this place is not mine. But even outsiders must feel something stirring in response to the claim that man made to me: this is a country held hostage. It is a country holding a village where I spent two years growing up. It is a country where I have chosen to work for three years, where my future has been shaped and my heart warmed and softened. It is a country where children I love will grow up, where they wil make families, where they will raise children. Is it somehow vulgar to feel, really feel, the injustice holding this country and these people in a vice grip? Why has this place, which is no particular place, become so particular for me?
Thian and Fama, my host sisters in the village of Ndiago, are two of millions of children born into poverty, destined for a lifetime of back-breaking work in the fields, insufficient schooling, early marriage, and repeated childbirth. They shine for me because I spent two years with them. Maybe it's the same thing with Senegal: this country where I was not raised has lifted me up, become particular and special and worth caring about with everything I have. This is another lesson for me about doing the job in front of you, however you define that job: this child, this village, this country.
Love and guts and music,
Jessie
